A new episode every two weeks.


EPISODE 31 | Lucy Hughes-Hallett

Simon and Kassia speak to Lucy Hughes-Hallett, author of The Pike, a biography of Italian rake Gabriele d'Annunzio, which won all three of the UK's most prestigious prizes for non-fiction for 2013 - The Duff Cooper Prize, the Samuel Johnson Prize, and the Costa Biography of the Year award. Lucy spoke to us about the rhythms of her work, her relationship with agents and publishers, and her literary treatment of heroism.



Kassia and Simon speak to Jonathan Shainin, who runs the Long Read section of the Guardian. He spoke to us about his nomadic career, which took him from New York (and the New Yorker), to Abu Dhabi, India, and back to New York, before coming to London to set up the Long Read in 2014. Jonathan discusses the differences between US and UK editing styles, where the Long Read fits into the wider Guardian ecosystem, and how venturing abroad can fit into the career of an editor as well as a writer.


EPISODE 29 | julia kelly

Kassia and Simon speak to romance novelist Julia Kelly about her portion of the literary universe - romance fiction is a billion-dollar industry. Julia talked to us about how she came to write her first books, the importance of marketing and social media for romance writers, the pros and cons of self-publishing in this genre, and why the happy ending remains non-negotiable. She also discussed the impact of the #metoo movement on the world of romance. 


EPISODE 28 | Peter Moffat

Kassia and Simon interview screenwriter and playwright Peter Moffat, whose work includes the series Cambridge Spies, Criminal Justice - later the basis of HBO's The Night of - and Silk, as well as the TV films Hawking and Einstein & Eddington. Peter spoke about moving from his early career as a lawyer into writing, the distinctions between British and American approaches to producing TV drama, and the role of both intensive research and muzak-free coffee shops in his writing routine. 


EPISODE 27 | Helen lewis

Kassia and Simon interview Helen Lewis, deputy editor of the New Statesman. She spoke to us about what her current role entails, the training she received as a sub-editor at the Daily Mail (and what it was like to work there). Helen candidly discussed the importance of networking, feminism, sub-editing and longform journalism. She also revealed a brilliant tip for powering through writers' block and discussed a couple of the pieces written under her own byline.


EPISODE 26 | Max hastings

In this episode, Simon speaks to Max Hastings, the best-selling military historian and erstwhile foreign correspondent and newspaper editor. They discussed Max's early career - how 1960s and 70s Fleet Street really was, without the benefit of rose-tinted spectacles - his experiences in the Falklands in 1982, the development of his book writing, from early ventures to his doorstopper World War Two histories, and the evolution of military history as a genre.


EPISODE 25 | Hannah Westland

Kassia and Simon speak to Hannah Westland, the publisher at Serpent's Tail, an independent imprint that published Lionel Shriver's We Need to Talk About Kevin and Sarah Perry's The Essex Serpent. She spoke to us about her early career — she started out as a literary agent — some of the projects she's currently working on and the role of independent firms in the publishing marketplace. 


EPISODE 24 | Laura palmer

Simon speaks to Laura Palmer, publishing director for fiction at Head of Zeus, an independent publishing house in London. Laura co-founded Head of Zeus in 2012, having started her career at Quercus Books, and she also worked at Corvus, the commercial fiction imprint of Atlantic Books. We spoke about what 'commercial fiction' precisely means, whether 'women's fiction' is still a useful label, best practice for aspirant writers and editors, and whether the Kindle has boosted public appetite for erotica.



In this episode we interview Ben Judah, journalist and author. His first book, Fragile Empire, is a study of Russia and Vladimir Putin. His second, This Is London, was a Sunday Times Top 50 bestseller and longlisted for the Ballie Gifford Prize. He told us about how he got into writing, the influence on his work of Polish reportage styles and why he's decided to take a little break from Twitter. (We were on Skype, so please excuse the odd rough patch.)



In this episode Kassia and Simon interview Patrick Kingsley, a New York Times correspondent and former migration and the Middle East correspondent for The Guardian. We spoke about how foreign correspondency works, Patrick's motivation to go abroad, his earlier experiences of student journalism and how he has combined reporting and book writing.



In this episode Kassia interviews Nikesh Shukla, a TV and fiction writer. We spoke about his novels Coconut Unlimited and Meatspace, and how he came to edit The Good Immigrant, the collection of essays about race and immigration and what it means to be a model "good immigrant" in the UK.



Kassia and Simon speak to Antony Beevor, a military historian and author of Stalingrad. We discussed Antony's early move from the army to writing, the experience of an unexpected smash, the techniques he uses to marshal vast quantities of material, and his creative collaboration with his wife Artemis Cooper, who is also a celebrated writer. 



Simon interviews Sam Knight, a British writer who works mainly for the Guardian and the New Yorker and specialises in longform pieces on unusual topics, such as the UK sandwich industry and the psychology of a stalker. They discuss his entry into journalism, his love of classic American nonfiction and how he puts features together. 


EPISODE 18 | Joelle owusu

Kassia speaks to Joelle Owusu, an editor at Unbound, the innovative publishing company that aims to use crowd-funding to shake up the way books are produced, paid for and disseminated. Joelle explained how Unbound's business model works, how it compares to traditional publishing, and how they aim to give voice to writers that have traditionally faced a sceptical response from the industry. She also discussed her own career, which has seen her make an unlikely move from petroleum geology to editorial. 


EPISODE 17 | Candice carty-williams

Kassia and Simon interview Candice Carty-Williams, senior marketing executive at Vintage Books. She spoke to us about the nuts and bolts of marketing a book and the role data play. She also discussed how she wrote her debut novel "Queenie", which was acquired by Orion earlier this year for a six-figure sum and will be published in 2019.


EPISODE 16 | nick summers

Kassia and Simon speak to Nick Summers, a features editor for Bloomberg Businessweek, who at time of recording was based in London but is now in New York. Nick talked us through his commissioning and editing process and spoke about some fascinating pieces he's worked on recently, including one on an Wall Street informant who double-crossed the FBI and another that looked into exactly what it is that IBM does (and whether it's any good at it).



Simon interviews Oliver Franklin-Wallis, commissioning editor at British Wired. Oliver is passionate about longform journalism and spends his days editing — and writing — longform features for the magazine. In this episode, he discusses his background and entry to journalism, dos and don'ts of the pitching process and stories about the future of death, the Ebola crisis and the 'Hyperloop.' 


EPISODE 14 | Kiran millwood hargrave

Kassia and Simon interview Kiran Millwood Hargrave, a children's novelist, poet and playwright. Her first novel, 'The Girl of Ink and Stars', won the 2017 Waterstones children's book prize; her second, written in two weeks, is 'The Island at the End of Everything'. In this episode, she revealed what motivates her to write, her previous struggles with her mental health, and how she manages her finances.


EPISODE 13 | Tom standage

Kassia and Simon interview Tom Standage, deputy editor of The Economist. They spoke about Tom's long career at the publication, why there is a no-bylines policy and some of The Economist's newer projects, such as a virtual-reality reconstruction of the Mosul Museum in Iraq, containing artefacts destroyed by Islamic State in 2015.



A Q&A with literary agent Patrick Walsh, who runs PEW Literary in London and formerly co-founded Conville & Walsh. Holed up in his office with his adorable but destructive puppy, they discuss the complexities journalists can face moving into book writing, the art of the nonfiction proposal, the expansion of the Chinese market and the thrill of a negotiating a book deal.



Simon interviews Tom Jennings, the director of the Logan Nonfiction Programme at the Carey Institute for Global Good in the US. They spoke about Tom's career and the importance for writers of grants and fellowships like the one organised by the Carey Institute.



A Q&A with the editor of the FT Weekend Magazine. Before joining the Financial Times in 2010, she worked for The Times on the comment desk, in the newsroom and on the late, lamented Eureka magazine. She started her career at Newsweek.


EPISODE 9 | sara baume

Before writing her first novel Sara studied fine art and longed to be a sculptor. On the publication of her second book, 'A Line Made By Walking', Sara spoke to us candidly about switching careers, what makes her write, how she got her first book deal and the financial realities of being a full-time novelist.


EPISODE 8 | stig abell 

A live Q&A with the editor of the TLS and former managing editor of The Sun. Stig has also reviewed books for The Spectator and ran the Press Complaints Commission. We discussed his career, his plans for the TLS, the impact of Facebook on print media and why he remains optimistic about its future.



Sharmaine Lovegrove has worked across the publishing industry: as a bookseller in Berlin, as the literary editor of Elle magazine and as a scout for the film and TV industry. We spoke to her just before she began the next chapter, this time as the publisher for a new, inclusive imprint from Little, Brown called Dialogue Books.


EPISODE 6 | nicola solomon

As the chief executive of the Society of Authors, Nicola specialises in protecting authors' interests in negotiations and disputes with agents and publishers. She spoke to Always Take Notes about how the publishing industry has changed, freedom of expression and how to get a fair book contract.  



Peter Frankopan is a historian at Oxford University and director of the Oxford Centre for Byzantine Research. His latest book 'The Silk Roads : A New History of the World' has been a No 1 bestseller all over the world, topping the non fiction charts in India, Pakistan, China and the UK where it remained in the Top 10 for 10 months.


EPISODE 4 | giles wilson

Giles Wilson is creative director of digital content studio Harpoon Productions and organiser of Well Told, the UK's first conference in narrative and longform journalism, taking place in London at the end of May. He was the founding editor of the BBC News Magazine and as features editor for the BBC led its move into immersive longform storytelling.  



Our live Q&A with Laura Barber, publishing director at Portobello Books and editorial director at Granta. We discussed the similarities and distinctions between the two imprints she works on, how books are bought and commissioned, and the kinds of authors and books that she finds exciting.


EPISODE 2 | Imogen pelham

After spending five years with Aitken Alexander, Imogen Pelham is now a literary agent at Marjacq where she represents both literary fiction and non-fiction. We spoke to her about her career, the role of literary agents in the publishing industry and the relationship between agents and the authors they represent.


EPISODE 1 | Jonathan beckman

In the first episode of Always Take Notes, Simon and Kassia interview Jonathan Beckman, the deputy editor of 1843, in front of a live audience in London. Jonathan spoke to us about the publication of his award-winning book, 'How to Ruin a Queen', and explained the commissioning and editing process at 1843, the lifestyle and culture magazine from The Economist. We also discuss his work at the Literary Review, where he ran the Bad Sex Awards – indeed that's how Kassia first met him…